Showing posts sorted by date for query road art. Sort by relevance Show all posts
Showing posts sorted by date for query road art. Sort by relevance Show all posts

Monday, January 30, 2012

More Road Art

I'm a big fan of road art, and I saw this the other day.
It's an interesting use of a George Foreman grill!
Much of the road art is a play on words, like Barb Wire.

And so Barb isn't out there all alone, Bob Wire is nearby.

If you want to see more road art posts, click here.

Thursday, September 15, 2011

Mount Moriah

 After breakfast at Cleve Creek, we packed up our gear, headed across Spring Valley and headed up Fourmile Road to go join friends and family. Desert Boy really wanted to go play with his cousins. I wanted to see some of the beautiful northern Snake Range. We led the way for some friends who hadn't been up the rocky road.

 I had to stop a couple times for photos. Yelland Dry Lake bed wasn't dry--it had some water in it, reflecting the clouds.

The rabbitbrush was blooming, along with a few other flowers, but the peak flower season was over by a long ways.  The air was cool, but the aspens still all green.
When we got to the camp, we found that most of the adults had left to go hiking, but nearly all the kids (with a few adult supervisors) had decided not to go hiking, but rather hang around camp.
 Sam looks like he's mastered the art of hanging out!
 Desert Boy loved his hot chocolate--one of several that day. Then he disappeared into the woods with his cousins and friends to play shoot the animals and who knows what else.

Some of the teenagers emerged from the teenager tent for a short while.
 Desert Girl managed to accumulate an impressive amount of dirt. Finally she conked out and Chandra and I left Brian in charge of all the kids and headed out for a walk.

 Mount Moriah is in the background, and I had never noticed the neat looking ridge leading to a minor peak. I will have to get up there some time to do that hike!

 Chandra and I wandered on all roads, across a meadow, and came across this road. It was so tempting to keep following it. I think it goes down into Negro Canyon and out into Spring Valley. Hmmm, another hike for another day.

We took off uphill and found this aspen grove. The medium-sized aspens all looked fine, but the young ones were all dead. We went a little farther and then took a short-cut back to camp, which really was a short-cut. (Some times my short-cuts don't quite work out right, but this one did!)
 The kids were still all being good and Brian didn't even have to get out of his tent. :)

The kids were having a grand old time. They were making up all sorts of games, and Desert Boy came home with some new sayings.
After the hikers got back, we all gathered around the fire and then started cooking dinner. It was a nice, relaxed time, just what I needed!

Saturday, August 8, 2009

More Road Art

Not far away is some interesting road art, and you can read an introduction about it here. While I was driving the other day, I noticed that this mannequin, who had recently been sporting men's clothing, was now dressed in a new style. We've had a little cold snap, so it might be getting a little chilly for her at night.


An alien sits by the side of the road, watching the traffic go by every day. The air is a little thin, hence the breathing apparatus (at least that's what I'm calling it). Even handicapped aliens manage to have a good time. I think the alien at one time was skiing, so perhaps it was a ski accident that has him sidelined.

The helmet can help protect him from the abundant cosmic rays

Some of the road art stays up for a long time, while other is quite temporary, so I realize I need to do a better job of photographing it. And what better place to put those pictures than on this blog?

Saturday, February 21, 2009

Road Art

One road near my house has a bunch of road art on it, art on fence posts and wires. The man who started the tradition called it "Post Impression Art." He had a number of wonderful artworks out that over time blew away in the wind or were removed by the BLM. Nevertheless, other people add to the artwork from time to time. Here's a small sampling today. I love the one above, a well-done play on the "Great Basin."

Sometimes the artwork isn't a visual pun, but rather just something eye catching that helps relieve the monotony of the fences.

Here's a recycling post. 

One of the long-time favorites of the area is the horse driving the old Model-T. He's a reliable driver, there every day. Except when someone steals him. That's happened twice--what is with people who think it's fun to steal a horse skeleton and leave the car without a driver?

Sunday, October 5, 2008

Mule Deer Buck

I had some fun testing out my new camera on this cooperative mule deer buck. Mule deer (Odocoileus hemionus) are found throughout western North America and are larger than their eastern cousins, white-tailed deer (Odocoileus virgianus). Mule deer have large mule-like ears and a black-tipped tail. 

They also have antlers that fork as they grow. The antlers begin growing in the spring each year and are shed after mating, from mid-January to mid-April. Many people scour the hillsides to pick up these shed antlers to make art out of them, particularly antler chandeliers, lamps, and fireplace tools. In locations where chronic wasting disease has broken out, like Colorado, many artisans choose to make their creations out of fake antlers.

This buck appeared to be enjoying some of the fall colors. He was not far from the road, despite it being hunting season. And he didn't even get up when we walked by. Question: Why would this apparently healthy deer be so tame?

Answer: We were in a national park, so this smart buck knew that he wouldn't be shot. If you're a hunter and reading this, don't despair, many nice bucks leave the national park and are shot outside of it. And the ones that don't leave produce offspring that go out and find new territory.

This buck probably weighs between 200-300 pounds. Females are smaller, and both eat a variety of vegetation. If a mule deer can escape predation by mountain lions or hunters, disease, and hunger from drought years, it is likely to live up to 10 years.

Monday, September 22, 2008

Desert Destination: Parowan Gap Petroglyphs

Every Monday we visit a desert destination.
Located north of Cedar City, Utah, the Parowan Gap petroglyphs grace a steep rockface. Although many petroglyph locations are kept secret to help preserve them, these are not because a road goes right next to them. The BLM (Bureau of Land Management--it manages most of the public land in the West) has erected interpretive signs and a fence. 

The petroglyphs were made by prehistoric Fremont and Southern Paiute cultures and placed on the National Historic Register in 1969. Although people guess what the petroglyphs mean, no one knows for certain what they all mean. That's part of the fun of looking at petroglyphs, thinking about what compelled someone to scrape a rock on the bigger rock and why they decided to draw what they did. They obviously had to spend some time to make the drawings, and likely they represent a number of different activities and counts. 

Here's the road that leads through Parowan Gap. The gap is a split in a three-mile long ridge of Jurassic Navajo Sandstone that's about 100 meters (300 feet) higher than the valley floor. Much of the sandstone has shattered, and the fence in the Gap not only protects the petroglyphs but also keeps falling rocks from getting out on the road. The Gap is the result of a stream that eroded away the sedimentary rock as it was being pushed upwards along a fault line.

This set of petroglyphs appears to have fewer human-like and animal drawings than many others I've seen. Instead it contains a large number of geometric designs, like the squares with dots on the right hand side and  the glyph in the middle called the Zipper. Recent research indicates that this area was used as a calendar. To learn more, click here.

These petroglyphs were first brought to the world's attention in 1849, when Parley P. Pratt led an expedition to look for new settlement sites. Over time, the Gap was used as an access route and a quarry. The road was expanded and some of the petroglyphs were lost. It's estimated that about half of the original petroglyphs are still present.

Sagebrush grows next to the small parking area. When Desert Boy and I visited, we had the place to ourselves, and most of the time this is a quiet spot. Crowds occasionally gather, such as during the summer solstice, when a local puts on a special presentation about the petroglyphs or when bike tours take a break.

On the left side of the above photo, you can see what looks like a sideways horseshoe; perhaps it is a map. On the right side is what appears to be a bighorn sheep. When visiting petroglyphs, it's fine to take photos, but touching the rock leaves behinds oils that can degrade the art. Some of the drawings may have been made over a thousand years ago. It is amazing how they have survived the wind and sun and rain and how they can inspire us.
Happy First Day of Autumn!
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